← 研踪 PaperTrailarXiv:2610.37640 · v1
Partially Edited Audio: Generation, Defense, and Open Problems
首次提交 2026-10-28 01:54
版本更新 2026-10-28 01:54
雷达观测 2026-10-29 00:34
摘要
Recent advances in generative audio models facilitate increasingly flexible and selective editing of linguistic content and paralinguistic, extralinguistic, and other attributes. This paradigm, named partially edited audio, differs from full audio generation as only portions of the real recording are edited. This technique can serve both beneficial and harmful applications. We therefore present a concise survey from both generation and defense perspectives, focusing on audio, as a contribution to the ICASSP 2027 special session entitled "Partially Edited Media: Perspectives from Synthesis and Defense." We first define partially edited audio and argue that what counts as ``fake'' or harmful is an application-dependent judgment, not a fixed property of the edit. We then survey audio editing by editing target, approaches, and evaluation, and then defense methods by detection, localization, diarization, and interpretability, summarizing representative benchmarks and toolkits. Finally, we discuss future directions and open problems.
作者备注：submitted to IEEE ICASSP 2027, 5 pages
观测到的版本
相邻记录可能跳过中间版本；首次发现 v2 及以上也会标为版本更新。
v1 · 2026-10-28 01:54 · 最新观测版本
Partially Edited Audio: Generation, Defense, and Open Problems
Recent advances in generative audio models facilitate increasingly flexible and selective editing of linguistic content and paralinguistic, extralinguistic, and other attributes. This paradigm, named partially edited audio, differs from full audio generation as only portions of the real recording are edited. This technique can serve both beneficial and harmful applications. We therefore present a concise survey from both generation and defense perspectives, focusing on audio, as a contribution to the ICASSP 2027 special session entitled "Partially Edited Media: Perspectives from Synthesis and Defense." We first define partially edited audio and argue that what counts as ``fake'' or harmful is an application-dependent judgment, not a fixed property of the edit. We then survey audio editing by editing target, approaches, and evaluation, and then defense methods by detection, localization, diarization, and interpretability, summarizing representative benchmarks and toolkits. Finally, we discuss future directions and open problems.
查看此版本解读 →查看此版本原文 ↗