← 研踪 PaperTrailarXiv:2611.03995 · v1
When Music Needs Meaning: Semantic Communication as a Transformative Enabler for the Musical Metaverse
首次提交 2026-11-03 05:36
版本更新 2026-11-03 05:36
雷达观测 2026-11-04 23:40
摘要
The Musical Metaverse (MM) enables geographically distributed musicians, audiences, sound engineers, and AI agents to interact through synchronized audio, visual, kinematic, and haptic streams, imposing latency, synchronization, bandwidth, and scalability requirements that are difficult to satisfy with conventional bit-level communication. This paper argues that semantic communication, understood here as the transmission of musically meaningful information rather than raw audio-visual-haptic samples, provides a principled communication paradigm for the MM. We define the MM from a communication perspective and derive modality-specific require ments; propose a three-pillar framework for musical semantic communication comprising semantics extraction, semantic-aware orchestration, and cross-modal semantic synchronization; survey representative work across semantic communication, music AI and edge orchestration, identifying the gaps that prevent their integration; and propose a semantic-first reference architecture based on device-side semantic encoders, edge semantic routers, and cross-modal semantic synchronization. The resulting framework positions the MM as a concrete and demanding use case for 6G semantic communication.
作者备注:10 pages, 3 figures. Accepted and Presented at IEEE International Symposium on the Internet of Sounds (IS2) Conference 2026
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v1 · 2026-11-03 05:36 · 最新观测版本
When Music Needs Meaning: Semantic Communication as a Transformative Enabler for the Musical Metaverse
The Musical Metaverse (MM) enables geographically distributed musicians, audiences, sound engineers, and AI agents to interact through synchronized audio, visual, kinematic, and haptic streams, imposing latency, synchronization, bandwidth, and scalability requirements that are difficult to satisfy with conventional bit-level communication. This paper argues that semantic communication, understood here as the transmission of musically meaningful information rather than raw audio-visual-haptic samples, provides a principled communication paradigm for the MM. We define the MM from a communication perspective and derive modality-specific require ments; propose a three-pillar framework for musical semantic communication comprising semantics extraction, semantic-aware orchestration, and cross-modal semantic synchronization; survey representative work across semantic communication, music AI and edge orchestration, identifying the gaps that prevent their integration; and propose a semantic-first reference architecture based on device-side semantic encoders, edge semantic routers, and cross-modal semantic synchronization. The resulting framework positions the MM as a concrete and demanding use case for 6G semantic communication.
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