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新论文 · v1arXiv:2611.03534

An Agentic Framework for Automated Power System Studies and Grid Connection Assessment

MaoXun Huang, Kshitij Kapoor, Eli Louise

原文摘要

Connecting new generation and demand to the grid depends on two scarce skills: checking applications against a large, changing body of regulation, and running the network studies that decide where and how a project connects. We present Grid Agents, an AI system that brings both together, and the methodology we use to evaluate it. The Grid Ontology is its knowledge system. It represents the regulation, standards and engineering knowledge that grid work depends on, makes it searchable, and evolves as the agents learn from use. Every answer drawn from it rests on evidence the agents cite. Grid Studio is an agent system specialised for power-system engineering. It works in its own engineering environment with domain tools and a study framework, draws on the Grid Ontology, and relies on established solvers for every number it reports. In both, engineers make the decisions. We bring eight published power-system benchmark families, previously scattered across separate papers, into one suite of 519 tasks, and we verify not only each answer but the work behind it, by replaying the agent's tool calls. The Grid Ontology cites the right regulatory evidence more often than a general coding agent or retrieval pipelines, leads on LegalBench-RAG and ranks first on the public leaderboards of the Enterprise RAG Challenge and ViDoRe V3. Grid Studio scores highest on the 519 power-system tasks and is the fastest of all the systems we compare, both by a statistically significant margin. With an optimiser in the loop, its reinforcement packages cost 33-67% less on average than those the agent designs alone.

cs.AI

首次观测 · 记录 #1CVF · CVPR 2026:cvf:ce198c83217d8bbdf42fb5035b360e41CVF · CVPR 2026

FontCrafter: High-Fidelity Element-Driven Artistic Font Creation with Visual In-Context Generation

Luo, Wuyang, Tan, Chengkai, Ge, Chang, Hong, Binye, Yang, Su, Ma, Yongjiu

原文摘要

Artistic font generation aims to synthesize stylized glyphs based on a reference style. However, existing approaches suffer from limited style diversity and coarse control. In this work, we explore the potential of element-driven artistic font generation. Elements are the fundamental visual units of a font, serving as reference images for the desired style. Conceptually, we categorize elements into object elements (e.g., flowers or stones) with distinct structures and amorphous elements (e.g., flames or clouds) with unstructured textures. We introduce FontCrafter, an element-driven framework for font creation, and construct a large-scale dataset, ElementFont, which contains diverse element types and high-quality glyph images. However, achieving high-fidelity reconstruction of both texture and structure of reference elements remains challenging. To address this, we propose an in-context generation strategy that treats element images as visual context and uses an inpainting model to transfer element styles into glyph regions at the pixel level. To further control glyph shapes, we design a lightweight Context-aware Mask Adapter (CMA) that injects shape information. Moreover, a training-free attention redirection mechanism enables region-aware style control and suppresses stroke hallucination. In addition, edge repainting is applied to make boundaries more natural. Extensive experiments demonstrate that FontCrafter achieves strong zero-shot generation performance, particularly in preserving structural and textural fidelity, while also supporting flexible controls such as style mixture.

cs.CV

Proceedings of the IEEE/CVF Conference on Computer Vision and Pattern Recognition · 2026 · 正式发表

首次观测 · 记录 #1CVF · CVPR 2026:cvf:f0bda5d7c190dba0b89f47ef12aa8cf9CVF · CVPR 2026

Easy2Hard: From Partially to Fully Unmatched Modalities as Negative Samples in Contrastive Learning

Yang, Zhicheng, Liu, Yichen, Ge, Chang, Jiang, Xiaopeng

原文摘要

Contrastive learning is widely used for generating multimodal data representations by aligning embeddings of different modalities of the same data samples. This alignment is achieved through a loss function that treats matched and unmatched modality pairs as positive and negative samples within a data batch. However, when extending contrastive learning to scenarios involving more than two modalities, existing approaches either rely solely on fully unmatched modalities as negative samples, or fail to distinguish between partially and fully unmatched modalities, thereby overlooking the fine-grained contrasting relationships. To address this limitation, we propose Easy2Hard, a novel framework that explicitly separates partially and fully unmatched modalities. To learn from negative samples at improved granularity, Easy2Hard further introduces a sigmoid weighting curriculum that smoothly transitions the learning process from easy (partially unmatched) to hard (fully unmatched) contrasts. Comprehensive evaluations on five multimodal datasets across diverse domains demonstrate the superiority of our approach.

cs.CV

Proceedings of the IEEE/CVF Conference on Computer Vision and Pattern Recognition · 2026 · 正式发表