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新论文 · v1arXiv:2611.11834

Reverberant Speech Conditioning for Material-Aware Acoustic Parameter Mapping

Yi Wu, Olha Townsend, Qianqian Fang, Magdalena Fuentes, You Zhang

原文摘要

Dense maps of room acoustic parameters (T30, EDT, C50, DRR) describe how a room sounds at every position. Scene-wide estimation predicts such maps from a floor plan but requires a reference impulse response, which is hard to obtain. Our system instead receives a floor plan and easily recorded reverberant speech from one talker-microphone pair. We compare four speech-derived conditioning inputs: MFCCs, an embedding from the blind estimator BERP, BERP's scalar reverberation-time estimate, and an impulse response reconstructed by Rec-RIR. Our main benchmark is the MRAS dataset, where material assignments vary at fixed geometry. The reconstructed impulse response performs best among the four inputs, reducing T30 error from 31.5% with the floor plan alone to 19.9%, 83% of the reduction achieved by the reference response. We find that adding speech mainly sets the overall level of the map, with little improvement in predicting how the acoustics vary across the room.

cs.SD

新论文 · v1arXiv:2610.37640

Partially Edited Audio: Generation, Defense, and Open Problems

Lin Zhang, You Zhang, Nicholas Evans, Xin Wang, David Harwath, Abhinav Dhall, Bowen Shi, Chengzhe Sun 等 10 位作者

原文摘要

Recent advances in generative audio models facilitate increasingly flexible and selective editing of linguistic content and paralinguistic, extralinguistic, and other attributes. This paradigm, named partially edited audio, differs from full audio generation as only portions of the real recording are edited. This technique can serve both beneficial and harmful applications. We therefore present a concise survey from both generation and defense perspectives, focusing on audio, as a contribution to the ICASSP 2027 special session entitled "Partially Edited Media: Perspectives from Synthesis and Defense." We first define partially edited audio and argue that what counts as ``fake'' or harmful is an application-dependent judgment, not a fixed property of the edit. We then survey audio editing by editing target, approaches, and evaluation, and then defense methods by detection, localization, diarization, and interpretability, summarizing representative benchmarks and toolkits. Finally, we discuss future directions and open problems.

cs.SD · eess.AS